B I E N N A L E A R T E 2 0 2 2 Citati iz izjave Cecilije Alemani, kustosinje za letošnji umetniški Biennale:
“The Milk of Dreams takes its title from a book by Leonora Carrington (1917–2011) in which the Surrealist artist describes a magical world where life is constantly re-envisioned through the prism of the imagination. It is a world where everyone can change, be transformed, become something or someone else; a world set free, brimming with possibilities.”
“These are some of the guiding questions for this edition of the Biennale Arte, which focuses on three thematic areas in particular: the representation of bodies and their metamorphoses; the relationship between individuals and technologies; the connection between bodies and the Earth.”
“Today, the world seems dramatically split between technological optimism − which promises that the human body can be endlessly perfected through science − and the dread of a complete takeover by machines via automation and artificial intelligence. This rift has widened during the Covid-19 pandemic, which has forced us even further apart and caged much of human interaction behind the screens of electronic devices.”
“This wide-ranging, transhistorical approach traces kinships and affinities between artistic methods and practices, even across generations, to create new layers of meaning and bridge present and past. What emerges is a historical narrative that is not built around systems of direct inheritance or conflict, but around forms of symbiosis, solidarity, and sisterhood.”
“a leaf gourd a shell, a net bag a sling, a sack bottle a pot, a box a container.” (Vir:BIENNALE ARTE,Venice, 2022.)
“We become, live, die and decompose with and as the earth.” (Vir: Biennale Arte: The milk of dreams. Venice, 2022.)
“You don’t solve anything by just doing something.” (Vir: https://www.artsy.net/article/artsy-editorial-emma-talbot-celebrates-resilience-aging-whitechapel-debut.)
“Confrontation between nature and human encroachment.” (Vir: Biennale Arte: The milk of dreams. Venice, 2022.)
“… nature is not something inert that we access and control at our will from an outside and exceptional position, but that we are earthly beings.” (Vir: Biennale Arte: The milk of dreams. Venice, 2022.)
“Creatures of the natural world.” (Vir: Biennale Arte: The milk of dreams. Venice, 2022.)
“Positioned in a liminal space, in which decay and rebuilding exist on the same timeline” (Vir: Biennale Arte: The milk of dreams. Venice, 2022.)
“These structures turn the dial on the expectation of experiencing an apparently solid thing” (Vir: Biennale Arte: The milk of dreams. Venice, 2022.)
“… innate treachery, brutality, and beauty in the human condition.” (Vir: Biennale Arte: The milk of dreams. Venice, 2022.)
“To see the earth before the end of the world.” (Vir: Biennale Arte: The milk of dreams. Venice, 2022.)
“In this climate, many artists envision the end of anthropocentrism.” (Vir: Biennale Arte: The milk of dreams. Venice, 2022.)
“Edges between the ordinary and the uncanny, stirring our deep-rooted dream and nightmares” (Vir: Biennale Arte: The milk of dreams. Venice, 2022.)
“a place of orientation, encounter and meditation.” (Vir:https://skogskyrkogarden.stockholm.se/in-english/architecture/buildings/woodland-chapel/)
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